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History of Tarot

Playing cards of the type used for playing games in general are first mentioned in the 14th century when the town council of Regensburg banned their use in 1378. During 1397 in Paris, their use by the so called common people during ordinary working days was prohibited.

During the early 15th century printing from wooden blocks was first used in Southern Germany, this was used to print the bible and playing cards both of which then became available to the masses. In 1415, there is a mention of a hand painted set of Tarot Cards prepared for the Duke of Milan, both paying cards and Tarot seem to spread rapidly throughout Europe over the next few centuries.

It was during this period that amusing, decorative, and instructive packs were published and their popularity came and went every 40 or 50 years, and it was in the quiet periods that the cards were only used by Gypsies and Fortune Tellers. Sometime during the 16th century when cards where going through a popular phase printers added their own changes to different packs and their signature, the packs of cards were also taxed (nothing changes much there then!). Later on esoteric writers like Lévi, Waite and Crowley would make their own interpretations of how the cards should look, which lead to more variations of tarot decks appearing.

None of the early historical references has any real indication of where the cards originally came from and it wasn’t until the early eighteen century that people started taking the Tarot seriously. During that time Antoine Court De Gébelin wrote a series of books about customs, religion, science and ides of ancient times comparing with their modern day equivalents. In volume eight, he discussed the “Game of Tarot” speculating on its ancient Egyptian origins, these books were written in the 1770’s when European Scholars were discovering huge hoards of Egyptian antiquities, this included hieroglyphics that were obviously writing but nobody could decipher. This was about 20 years before the discovery of the Rosetta Stone: which finally allowed the hieroglyphics to be deciphered, at this time all Europe was going mad for anything Egyptian. De Gébelin ideas were taken up by Allietee who wrote books on the subject in the mid 1780’s under the pen name Etteilla, he enthusiastically adopted the Egyptian theory and gained an enormous following. 

 

 

 

 

 

 

 

 

 

 

 

 

 

About 70 years later the most famousFrench occultist a certain Alphonse Louis Constant wrote two major books in 1855 and 1856 under the name of Eliphas Lévi, by this time the hieroglyphics had been deciphered and discovered they had nothing to do with tarot so he had to go elsewhere for his mystic source so he chose to connect the Tarot to the Qabalah also known as Kabbalah. The Qabalah is a Jewish mystic system based on the link between letters and numbers of the Hebrew alphabet. By changing the letters in a name to the corresponding number, it was possible to decipher the mysterious names in the old testament to give support to a very complicated vision of the universe. Again there was no real evidence offered, only that the system worked. Later on in his career, Lévi became convinced the cards originated in the middle east, but were actually brought to Europe by the gypsies. It was well known that the gypsies had travelled all over the face of the earth and could trace their origins back to ancient Egypt.

Tarot Facts

A variety of styles of tarot decks and designs exist and a number of typical regional patterns have emerged. Historically, one of the most important designs is the one usually known as the Tarot de Marseilles. This standard pattern was the one studied by Court de Gébelin, and cards based on this style illustrate his Le Monde primitif.
  • Some decks exist primarily as artwork; and such art decks sometimes contain only the 22 trump cards
  • French suited tarot cards began to appear in Germany during the 18th century. The first generation of French suited tarots depicted scenes of animals on the trumps and were thus called "Tiertarock" decks ('Tier' being German for 'animal').
  • Etteilla was the first to issue a revised tarot deck specifically designed for occult purposes rather than game playing. In keeping with the belief that tarot cards are derived from the Book of Thoth, Etteilla's tarot contained themes related to ancient Egypt. The 78-card tarot deck used by esotericists has two distinct parts:

* The Major Arcana (greater secrets), or trump cards, consists of 22 cards without suits: The Magician, The High Priestess, The Empress, The Emperor, The Hierophant, The Lovers, The Chariot, Strength, The Hermit, Wheel of Fortune, Justice, The Hanged Man, Death, Temperance, The Devil, The Tower, The Star, The Moon, The Sun, Judgement, The World, and The Fool.

* The Minor Arcana (lesser secrets) consists of 56 cards, divided into four suits of 14 cards each; ten numbered cards and four court cards. The court cards are the King, Queen, Knight and Page/Jack, in each of the four tarot suits. The traditional Italian tarot suits are swords, batons/wands, coins and cups; in modern tarot decks, however, the batons suit is often called wands, rods or staves, while the coins suit is often called pentacles or disks.

  • The images on the 'Rider-Waite' deck were drawn by artist Pamela Colman Smith, to the instructions of Christian mystic and occultist Arthur Edward Waite, and were originally published by the Rider Company in 1910.
  • A widely used modernist esoteric tarot deck is Aleister Crowley's Thoth Tarot. Crowley, at the height of a lifetime's work dedicated to occultism, engaged the artist Lady Frieda Harris to paint the cards for the deck according to his specifications. His system of tarot correspondences, published in The Book of Thoth & Liber 777, are an evolution and expansion upon that which he learned in the Hermetic Order of the Golden Dawn.
    • Carl Jung was the first psychoanalyst to attach importance to tarot symbolsm. He may have regarded the tarot cards as representing archetypes: fundamental types of persons or situations embedded in the collective unconscious of all human beings.
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